by Anton Chekhov, Neil Simon
This Broadway hit is a composite of Neil Simon and Anton Chekhov. The Good Doctor consists in a series of short plays, based on short stories and other works of Russian writer Anton Chekhov, framed by a writer making comments on them. In one sketch, a feisty old woman storms a bank and upbraids the manager for his gout and lack of money. In another, a father takes his son to a house to initiate him into the mysteries of sex, only to relent at the last moment and leave the boy more perplexed than ever. In another sketch, a crafty seducer goes to work on a wedded woman, only to realize that the woman has been in command from the first overture. And let us not forget the classic tale of a man who offers to drown himself for three rubles. The stories are droll, the portraits affectionate, the humour infectious, and the fun unending.
by Agatha Christie
Leonard Vole stands accused of murdering a rich widow. The stakes are high with shocking witness testimony, impassioned outbursts from the dock and a young man’s fight to escape the hangman’s noose. Generally regarded as one of Christie’s most accomplished plays, this suspenseful thriller keeps audiences guessing until the very end.
by Nora & Delia Ephron
A play of monologues and ensemble pieces about women, clothes and memory covering all the important subjects—mothers, prom dresses, mothers, buying bras, mothers, hating purses and why we only wear black. It is based on the bestselling book by Ilene Beckerman.
By Tennessee Williams
In a plantation house, a family celebrates the sixty-fifth birthday of Big Daddy, as they sentimentally dub him. The mood is somber, despite the festivities, because a number of evils poison the gaiety: greed, sins of the past and desperate, clawing hopes for the future spar with one another as the knowledge that Big Daddy is dying slowly makes the rounds. Maggie, Big Daddy's daughter-in-law, wants to give him the news that she's finally become pregnant by Big Daddy's favourite son, Brick, but Brick won't cooperate in Maggie's plans and prefers to stay in a mild alcoholic haze the entire length of his visit. Maggie has her own interests at heart in wanting to become pregnant, of course, but she also wants to make amends to Brick for an error in judgment that nearly cost her her marriage. Swarming around Maggie and Brick are their intrusive, conniving relatives, all eager to see Maggie put in her place and Brick tumbled from his position of most-beloved son. By evening's end, Maggie's ingenuity, fortitude and passion will set things right, and Brick's love for his father, never before expressed, will retrieve him from his path of destruction and return him, helplessly, to Maggie's loving arms.
Stage Adaptation by Dean Pitchford and Walter Bobbie
Music by Tom Snow | Lyrics by Dean Pitchford
One of the most explosive movie musicals in recent memory bursts onto the live stage with exhilarating results. When Ren and his mother move from Chicago to a small farming town, Ren is prepared for the inevitable adjustment period at his new high school. What he isn't prepared for are the rigorous local edicts, including a ban on dancing instituted by the local preacher, determined to exercise the control over the town's youth that he cannot command in his own home. When the reverend's rebellious daughter sets her sights on Ren, her roughneck boyfriend tries to sabotage Ren's reputation, with many of the locals eager to believe the worst about the new kid. The heartfelt story that emerges is of a father longing for the son he lost and of a young man aching for the father who walked out on him. To the rockin' rhythm of its Oscar and Tony-nominated top 40 score (the soundtrack album reached number one on the Billboard charts and has sold over 15 million copies!) and augmented with dynamic new songs for the stage musical, FOOTLOOSE celebrates the wisdom of listening to young people, guiding them with a warm heart and an open mind.